Fallonskis Acrylics · Hertfordshire
Six core powders, one EMA monomer, the prep and the tools. Every item goes on paying clients seven days a week before it is ever offered to you.
The core powders
Not a chart with forty shades nobody finishes. A fullset, a French, an ombre and a cover pink, in 8oz for the salon and 30g in the kit.
All six also supplied in 30 g pots inside the starter kit.
The liquid
The one product everything else is built around. An EMA monomer with a working window long enough to place an apex properly and short enough that you are not waiting on it.
EMA monomer · low odour · store below 25°C, away from direct light
Prep and tools
What her clients say
These are from her own booking page. Turn a card over to read it in full, and her reply underneath.
Tap or hover a card to turn it over.
The way in
Everything needed to build a full set, in the sizes that make sense when you are starting. Six core powders in 30 g pots rather than 8 oz tubs, and the monomer in 50 ml, so you are not carrying a litre you will not finish.
The brand, two ways
The same products, art-directed for a different room. Hot pink and gloss for the campaign, warm light and stone for the editorial. This is what a brand kit buys you: a look that travels from a shelf to an advert to a shop window without being rebuilt each time.
Who makes it
I am not a brand that found a factory. I am a technician who got tired of the products.
I run a one-chair studio in Stevenage and I am in it seven days a week. FSK exists because I kept buying liquid that flashed off too fast, primer that did nothing, and cutters blunt by the second month.
Everything here is what I use on the people who pay me. That is the only test it has to pass, and it is harder than a focus group.
See the studio